guest performance


In collaboration with “Musikpodium Zürich”

Is there a “Swissness” in terms of composing? Instead of an answer to this question, we confront the audience with three new works by Swiss composers from three generations, flanked by a work by our friend Erik Oña, who died much too early.

The youngest – Sebastian Meyer – is, like his teacher Erik Oña, in constant search of the best sound with reduced material, be it in terms of choice of instruments or compositional means.

Trumpet player, composer and improviser André Meier – also a former composition student of Erik Oña – deals in his compositional work mainly with algorithmic or machine processes, sonifications, modular and open forms.

The pianist and composer Jean-Jacques Dünki is also active as a musicologist, dealing with both historical performance practice (fortepiano and clavichord) and the composers of the New Viennese School and contemporary music. As a composer he is largely self-taught. He is writing a “Concertino” for cello and ensemble for the French cellist Pierre Strauch and us.


Jean-Jacques Dünki (*1948) “Concertino” for cello and 8 instruments (2022/23, WP, commission EPhB) – 17’ André Meier (*1974) “Threads” for trumpet and ensemble (2019/20, WP, commission EPhB) – 15’ Sebastian Meyer (*1994) “inmitten” in memoriam Erik Oña for ensemble and electronics (2023, WP, commission EPhB) – 15’ Erik Oña (1961–2019) “Alles Nahe werde fern” for 8 instruments (2001) – 8’
Pierre Strauch
cello solo
Nenad Marković
trumpet solo
Jürg Henneberger