1.0Ensemble Phoenix Baselhttps://ensemble-phoenix.ch/en/Jürg Hennebergerhttps://ensemble-phoenix.ch/en/author/juerg/rich600338<blockquote class="wp-embedded-content" data-secret="W7fn8rbahz"><a href="https://ensemble-phoenix.ch/en/blanko-2027/">“Blanko 2027”</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ensemble-phoenix.ch/en/blanko-2027/embed/#?secret=W7fn8rbahz" width="600" height="338" title="““Blanko 2027”” — Ensemble Phoenix Basel" data-secret="W7fn8rbahz" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ensemble-phoenix.ch/v2/wp-includes/js/wp-embed.min.js </script> Collective composition is a definition still regarded today with some skepticism. Musical hierarchies encountered throughout the history of western music have turned musicians and composers into highly specialized entities, whose point of contact often gravitates on the materialisation of a score. In this collaboration, we propose a more horizontal approach, seeking to blur the traditional […]