1.0Ensemble Phoenix Baselhttps://ensemble-phoenix.ch/en/Jürg Hennebergerhttps://ensemble-phoenix.ch/en/author/juerg/rich600338<blockquote class="wp-embedded-content" data-secret="jqjCBFHOwA"><a href="https://ensemble-phoenix.ch/en/mikropolyphonie/">“Micropolyphony”</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ensemble-phoenix.ch/en/mikropolyphonie/embed/#?secret=jqjCBFHOwA" width="600" height="338" title="““Micropolyphony”” — Ensemble Phoenix Basel" data-secret="jqjCBFHOwA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ensemble-phoenix.ch/v2/wp-includes/js/wp-embed.min.js </script> The title of this program, “Micropolyphony,” was coined by the Hungarian-Austrian composer György Ligeti. The term describes a compositional technique in which a large number of voices (often 20 or more) are interwoven so densely and closely that the individual lines are no longer perceptible to the listener as melodies. In the case of a […]