{"id":860,"date":"2019-03-23T20:00:00","date_gmt":"2019-03-23T19:00:00","guid":{"rendered":"http:\/\/ensemble-phoenix.ch\/v2\/?p=860"},"modified":"2025-02-09T15:00:16","modified_gmt":"2025-02-09T14:00:16","slug":"voices","status":"publish","type":"post","link":"https:\/\/ensemble-phoenix.ch\/en\/voices\/","title":{"rendered":"&#8220;Voices&#8221;"},"content":{"rendered":"<p>A primal delight in experimenting with voices unites the three composers of this program.<\/p>\n<p>Milton Babbitt first studied mathematics and later on changed to music. He was the first to define &#8220;serial music&#8221; in the 1940s, contributed decisively to the development of &#8220;music theory&#8221; as an academic discipline, and is now considered one of the most important composers of the 20th century in the United States. Babbitt&#8217;s work &#8220;Arie da capo&#8221; ambiguously alludes to its patrons, the &#8220;Da Capo Chamber Players&#8221; of New York. In this composition, each of the five instruments gets its aria.<\/p>\n<p>Paul Dolden is a joyful border crosser between musical categories. His virtuosic and intelligent handling of electronically multiplying layers lead to a connecting listening experience between the different musical genres.<\/p>\n<p>Although as a comprehensive musician he can hardly be pinned down to one genre, John Zorn has always seen himself first and foremost as a composer. In 2003 he created &#8220;Chimeras&#8221; compositionally in the style of Sch\u00f6nberg&#8217;s &#8220;Pierrot lunaire&#8221;, a sensational work between classical ductus and chaotic outbursts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A primal delight in experimenting with voices unites the three composers of this program. Milton Babbitt first studied mathematics and later on changed to music. He was the first to define &#8220;serial music&#8221; in the 1940s, contributed decisively to the development of &#8220;music theory&#8221; as an academic discipline, and is now considered one of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[170],"tags":[],"class_list":["post-860","post","type-post","status-publish","format-standard","hentry","category-phoenix-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/posts\/860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/comments?post=860"}],"version-history":[{"count":9,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/posts\/860\/revisions"}],"predecessor-version":[{"id":5621,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/posts\/860\/revisions\/5621"}],"wp:attachment":[{"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/media?parent=860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/categories?post=860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ensemble-phoenix.ch\/en\/wp-json\/wp\/v2\/tags?post=860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}