Date / Place I

17 April 2021 Gare du Nord, Basel

Date / Place II

18 April 2021 Gare du Nord, Basel

Series

Phoenix

Title

For Samuel Beckett

Program

Morton Feldman (1926–1987) “For Frank O’Hara” for flute, clarinet, percussion, piano, violin and cello (1973) – 13' “Bass Clarinet and Percussion” (1981) – 17' “For Samuel Beckett” for chamber orchestra (1987) – 42'

Musicians

Jürg Henneberger
conductor
Christoph Bösch
flute, piccolo, alto flute
Josef Feichter
flute
Antje Thierbach
oboe
Kelsey Maiorano
oboe
Toshiko Sakakibara
clarinet, bass clarinet
Richard Haynes
clarinet
Lucas Rößner
bassoon
Elise Jacoberger
horn
Aurélien Tschopp
horn
Simon Kissling
horn
Simon Lilly
trumpet
Jens Bracher
trumpet
Michael Büttler
trombone
Kevin Austin
trombone
Daniel Stalder
percussion
João Pacheco
percussion
Consuelo Giulianelli
harp
Janne Jakobsson
tuba
Consuelo Giulianelli
harp
Manuel Bärtsch
piano
Friedemann Treiber
violin
Daniel Hauptmann
violin
Alessandro D’Amico
viola
Benedikt Böhlen
cello
Aleksander Gabryś
double bass

Program description

The work of American composer Morton Feldman has been a matter of the heart during the last 22 years for us. His works are characterized by an extraordinary stylistic diversity, ranging from graphic scores to extremely complex, polyrhythmic compositions. An example of this is his trio “Bass Clarinet and Percussion”: the percussion duo and the bass clarinet follow two metrically independent and independent paths, which nevertheless cross again at the end of each score page. Feldman at home in the artistic circles of New York and had friendly contact with the most important painters and poets of his time. The septet “For Frank O’Hara” is a tribute to the poet who died in an accident in 1966. Samuel Beckett wrote the libretto for Morton Feldman’s only opera, “Neither”. The new setting of the Beckett radio play “Words and Music” and the compositional homage “For Samuel Beckett” were both written in 1987, the year of Feldman’s death.